#Loop hero book of memories how to

In rethinking and challenging the problematic teleologies of civil defence sociotechnical imaginaries, we must stress that imaginary scenarios were inflicted by, and mapped onto, the material world-the physical geography and built environment-and the materiality of the concrete civil defence technologies that were often only partly visible (physical preparations, bunkers and so on). The nature of the disaster to be tackled, the assumptions about destruction, about human behaviour in the post-attack period, all had to be imagined and were so using historical assumptions, culturally informed ideas and insights from the social and psychological sciences. Civil defence as a technology relied on a sense that an imaginable future could be tackled, (hopefully) mastered or (at worst) ameliorated. This reflects the central, inescapably imaginary nature of civil defence. Everyday understandings of civil defence were confused, partial and often idiosyncratic-and so are the memories. At a basic level, people’s memories always tend to diverge from any attempt to create neat paths or narratives within the civil defence sociotechnical imaginary. As Sheila Jasanoff herself puts it, ‘memory work’ allows ‘novel technoscientific constructs to be most readily naturalised when they fall into line with the way things are remembered as being’ (Jasanoff and Kim 2015: 339). In particular, the phases of embedding, extensionand resistance (see Introduction, this volume) can all be seen as contestable spaces in which meanings are made and remade from below.Ī focus on memory allows us to explore how sociotechnical imaginaries can be usefully deployed to interpret everyday understandings of civil defence in ways which nuance the two problems discussed above. As an overarching theory, we argue that the framework does leave space for deeper, less clearly defined ways of understanding the cultural and social uptake of the imaginaries discussed. These two potential problems may, however, best be described as a tendency in scholarly works that have so far engaged with the framework. Secondly, there seems to be a reliance on top-down readings of how technologies are created, circulated and understood: technologies are imagined and circulated by experts and taken up by others within ‘culture’. It is a framework, after all, which seeks to explain how technology is understood and circulated by societies and cultures. First, it seems to conceptualise cultural and social change teleologically: technologies are first imagined and then become material. Less time looping means weaker equipment.We believe the sociotechnical imaginaries framework could also be employed when exploring civil defence and everyday life, but any attempt to do this needs to address two potential problems. You do have to balance this against the quality of the equipment you’ve collected so far, though. That means if you fill the summon gauge faster, you won’t have as hard of a fight on your hands. The number of loops you’ve completed seems to determine enemy health and damage (including bosses). With a Maze of Memories card, it’s like placing (up to) 37 cards at once. When it’s completely full, the boss spawns. As you place cards fill the void with tiles, that second gauge in the upper left corner fills. The most obvious use for a Maze of Memories golden card is to summon a boss faster.

What it does do, though, is take up a lot of space, as advertised.

This means that it doesn't affect your hero’s stats, interact with other tiles, generate resources, or spawn enemies. Like the description says, the Maze of Memories does nothing.

#Loop hero book of memories how to

How to use the Loop Hero Maze of Memories card Filling in those spaces will limit the real estate where things like bandit camps or goblin camps can spawn. The Maze of Memories tiles fill spaces right up to the edge of the road. It doesn’t overwrite existing tiles, but it will fill in roadside as well as landscape spaces. Placing Maze of Memories cards in Loop Hero generates additional maze tiles that fill the space around it in a rough circle (think of it like a paint bucket tool in your favorite image editor).